Stravinsky Concerto in E Flat Major Dumbarton Oaks
Beamish Whitescape
Beethoven Symphony No7

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Gemma  New

Gemma New

Conductor

Sought after for her insightful interpretations and dynamic presence, New Zealand-born conductor Gemma New is Music Director of the Hamilton Philharmonic Orchestra in Ontario, Canada and Resident Conductor of the St. Louis Symphony Orchestra. In addition to maintaining a close relationship with the New Jersey Symphony Orchestra and Chamber Orchestra of San Antonio, New’s recent and guest engagements include such North American orchestras as the Albany Symphony, Cabrillo Festival of Contemporary Music, Manitoba Chamber Orchestra Orlando Philharmonic, New York City’s Orchestra of St. Luke’s, in addition to the Helsingborg and Malmö Symphonies in Sweden, Poland’s Szczecin Philharmonic, the Royal Scottish National Orchestra, and the Auckland Philharmonia and Christchurch Symphony in New Zealand. A former Dudamel Conducting Fellow with the Los Angeles Philharmonic, New has led youth, school, and community programs with the LA Phil, and assisted Music Director Gustavo Dudamel, Conductor Laureate Esa-Pekka Salonen and other guest con-ductors. Additional significant experiences include a David A. Karetsky Conducting Fellowship at the American Academy of Conducting at the Aspen Music Festival, and an Ansbacher Fellowship, during which she was selected by members of the Vienna Philharmonic to take up residence at the Salzburg Music Festival. New has also resided in Leipzig, Germany as a Felix Mendels-sohn-Bartholdy Fellow, where she studied Mendelssohn’s music with Kurt Masur and led the Leipziger Symphonieorchester in the historic Lindensaal of Markkleeberg. Holding a strong interest in contemporary music, New made her Carnegie Hall conducting debut in 2013 when she led works by John Adams and Andrew Norman on the American Soundscapes series. In 2010 she founded the Lunar Ensemble, which recently performed as a headliner for the National New Music Gathering in Baltimore, Maryland. New has conducted several contemporary operas, as well as assisted operas by Mozart, Verdi, and Ravel. With the LA Phil, she has assisted for semi-staged productions of Cavalleria Rusticana, Pagliacci, and Beethoven’s Missa Solemnis. In the 16/17 season, New led a Wagner/Arnauld arrangement of Tristan und Isolde with the Chamber Orchestra of San Antonio.