‘Light, in the air drowsy with dense slumbers – did I love a dream?’ Debussy’s Prélude à l’après-midi d’un faune opened the gateway to a strange and ravishing new musical universe: a world of shimmering textures, sensuous colours and emotions that seem to drift like perfume on a summer breeze. From Debussy’s and Ravel’s delicate miniatures to the blissful song of Messiaen’s blackbird, surrender to an afternoon of pure sonic enchantment.
£14 in advance / £16 on the day
Under 16s free, Under 26s and Mature Students £6 in advance / £8 on the day, Unemployed £6, Disabled patrons and their carers 50% off
Scotland-based pianist Scott Mitchell has performed extensively as a chamber music pianist and accompanist throughout Great Britain, Europe, South America and the Middle East. As a recording artist Scott Mitchell has released CDs for Chandos Records, ASV, Collins Classics, Black Box and Tosca Records. He has recently recorded Dave Heath’s Piano Concerto, “The Passionate”, with the BBC Concert Orchestra, released on the Freestyle classics label. He is a regular performer on BBC Radio 3 and Classic FM and has also appeared on Channel 4 and the satellite Arts Channel. In competitions he has been awarded the Lisa Fuchsova Prize for outstanding chamber music pianist and the Eric Rice Memorial Prize for outstanding accompanist, both at the Royal Overseas League Music Competition in London. Scott Mitchell is a senior staff accompanist and lecturer in accompaniment at the Royal Conservatoire of Scotland (formerly RSAMD) in Glasgow where he also teaches piano at the Junior Department. He is also a member of the accompaniment staff at Napier University in Edinburgh and also one of the founding members of the Cantilena Festival on Islay, a Festival for strings taking place on the island of Islay every summer.
Katherine Bryan made her concerto debut at the age of 15 with Daniel Harding and the Academy of St Martin in the Fields in London, and later made her US concerto debut at New York’s Lincoln Center with the Juilliard Orchestra. She has since performed as soloist with the BBC Philharmonic, Helsinki Philharmonic Orchestra, Royal Scottish National Orchestra, Hallé, Nuremberg Symphony Orchestra, New York Philharmonic and English Baroque Soloists. Katherine's debut solo recording of the Nielsen and Liebermann flute concertos, Poulenc Flute Sonata (orchestrated by Sir Lennox Berkeley) and Hüe Fantasie, with the Royal Scottish National Orchestra conducted by Paul Daniel, was released to great acclaim in September 2010. Following this success, Katherine released a further disc of concertos in May 2013, including works by Ibert, Martin and Rouse. Katherine's recording of the Rouse Flute Concerto is the work’s first ever British recording. Her latest album, Silver Bow, described by the Scotsman as ‘a breathtaking package’, is a collection of transcriptions of music for violin and orchestra including Vaughan Williams’ The Lark Ascending, and was released in September 2015. It was chosen as one of Classic FM's top 20 albums of 2015. A winner of the prestigious Audi Music Competition, Katherine studied at Chetham’s School of Music, Manchester, and won a full scholarship to study flute at the Juilliard School, New York, with Jeanne Baxtresser and Carol Wincenc. She was a prizewinner in the Royal Overseas League Music Competition, and in the Young Concert Artists International Competition in New York, and she was a finalist in the BBC Young Musician of the Year for three consecutive competitions. She was awarded the Julius Isserlis Scholarship by the Royal Philharmonic Society. At the age of just 21 she was appointed Principal Flute with the Royal Scottish National Orchestra, a position she still holds today in addition to appearing as concerto soloist with leading orchestras worldwide. Katherine is currently a lecturer in flute at the Royal Conservatoire of Scotland and Chetham’s School of Music. She is a regular guest principal with the Philharmonia Orchestra, and has also played guest principal with the London Philharmonic, BBC Symphony, BBC Scotttish Symphony, Royal Philharmonic, Swedish Radio Symphony and London Symphony Orchestras, as well as with the Royal Northern Sinfonia, Hallé and Seattle Symphony. Katherine has appeared at major international festivals, including the Cheltenham Music Festival, as both concerto soloist and recitalist. She has given live broadcasts on Classic FM, BBC Radio 3 and BBC television. Forthcoming projects include a new solo album for Chandos Records. Katherine is thrilled to wear ROX jewellery.
Pippa has been playing as Principal Harp with the Royal Scottish National Orchestra since 1999, and appears regularly with the Scottish Chamber Orchestra and the BBC Scottish Symphony Orchestra. She is Harp Lecturer at the Royal Conservatoire of Scotland. Brought up and educated in Edinburgh, Pippa became a member of the National Youth Orchestra of Great Britain before winning a scholarship to the Royal Northern College of Music to study with Frank Sternefeld. There she won the Hiles Medal and, following her graduation with honours, she won several awards enabling her to take up a place at the Konservatorium in Basel, Switzerland, to study with Ursula Holliger. On her return to the U.K. Pippa built up a successful freelance career, performing as a soloist as well as a chamber and orchestral musician, playing regularly with the Halle Orchestra, the Royal Liverpool Philharmonic Orchestra, Northern Ballet Theatre, and many other major British ensembles. Her recent appearances include concerto performances with the RSNO, and chamber recitals with the Hebrides and Red Note Ensembles, and her flautist Katherine Bryan. Recordings include Britten and Rutter as soloist alongside the RSNO Junior Chorus, and numerous works with the RSNO and BBCSSO. Pippa now lives in Glasgow.