Chamber Series: Jörg Widmann - Clarinet Creations

Sun 25 Oct 2020, 2.30PM
New Auditorium, Glasgow Royal Concert Hall, Glasgow

Mozart Trio for Clarinet, Viola and Piano Kegelstatt K498
Jörg Widmann Tränen der Musen
Weber Clarinet Quintet

Jörg Widmann Clarinet

Featuring Adrian Wilson, Maya Iwabuchi, Sharon Roffman, Tom Dunn, Aleksei Kiseliov and Aaron Shorr.

Jörg Widmann is a dazzling composer, inspiring conductor and exceptional clarinettist. Our players can’t wait to collaborate with him in Weber’s delightfully operatic Clarinet Quintet. First though, he plays his own extraordinary Tränen der Musen, as well as Mozart’s exquisite ‘skittle alley’ Trio – music that’s as engaging as it sounds, played by a true modern master.

Tickets

£16 in advance, £18 on the day

Discounts

Under 18s go free when accompanied by a paying adult (max 2 free children per adult); 16-17 year olds go free; Under 26s/Mature Students £6 in advance/£8 after 5pm on the day; Unemployed £6; Disabled patrons and carers 50% off; Group discounts available.

Box Office

0141 353 8000

Featured Artists

Jörg  Widmann

Jörg Widmann Clarinet

Clarinetist, composer and conductor Jörg Widmann is one of the most versatile and intriguing artists of his generation. As Carnegie Hall’s 2019:20 Richard and Barbara Debs Composer Chair his work will be focused throughout the season. Further performances see him appear in all aspects as clarinetist, composer and conductor as artist in residence at WDR Sinfonieorchester, at Palau de la Música Barcelona and at Bergen International Festival.

Chamber music performance will see him in concerts with long-standing chamber music partners such as Andras Schiff, Daniel Barenboim, Mitsuko Uchida, Tabea Zimmermann, Antoine Tamestit and the Hagen Quartet at the Schubertiade Schwarzenberg, Salzburg Festival, Carnegie Hall New York and Wiener Konzerthaus amongst others.

Continuing his intense activities as a conductor, Jörg Widmann performs this season with the Ensemble Kanazawa, WDR Sinfonieorchester, Swedish Chamber Orchestra and Hessisches Staatsorchester Wiesbaden. In November 2019 he lead the Irish Chamber Orchestra as their Principal Conductor on tour through the US and in concerts throughout Europe.

Widmann studied clarinet with Gerd Starke in Munich and Charles Neidich at the Julliard School in New York. He performs regularly with renowned orchestras, such as Gewandhausorchester Leipzig, Orchestra National de France, Tonhalle-Orchester Zurich, National Symphony Orchestra Washington, Orchestre symphonique de Montreal, Vienna Philharmonic Orchestra, Netherlands Philharmonic Orchestra and Toronto Symphony Orchestra. He collaborates with conductors such as Daniel Barenboim, Christoph Eschenbach and Christoph von Dohnányi.

Widmann gave the world premiere of Mark Andre’s Clarinet Concerto über at the Donaueschinger Musiktage 2015. Other clarinet concerti dedicated to and written for him include Wolfgang Rihm’s Musik für Klarinette und Orchester (1999) and Aribert Reimann’s Cantus (2006). Widmann studied composition with Kay Westermann, Wilfried Hiller and Wolfgang Rihm. His works continue to receive many awards such as the prestigious Chamber Music Society of Lincoln Center’s Elise L. Stoeger Prize (2009), the Paul Hindemith Prize in 2001, the Arnold Schönberg Prize by the Vienna Arnold Schönberg Centre and the Deutsches Symphonie-Orchester Berlin (2004) and both the SWR Sinfonieorchester Baden-Baden und Freiburg’s composition award and the Berliner Philharmoniker Academy’s Claudio Abbado Composition Award in 2006.

Widmann’s compositions are performed regularly by conductors such as Daniel Barenboim, Daniel Harding, Valery Gergiev, Kent Nagano, Christian Thielemann, Mariss Jansons, Andris Nelsons and Simon Rattle, and premiered by orchestras such as the Wiener and Berliner Philharmoniker, New York Philharmonic, Orchestre de Paris, BBC Symphony Orchestra and many others.

Widmann’s appointment as Daniel R. Lewis Young Composer Fellow at Cleveland Orchestra established an extraordinary artistic collaboration with the orchestra and its Principal Conductor Franz Welser-Möst including the world premiere of Widmann’s Flute Concerto, Flûte en suite in May 2011 followed by its European premiere in 2012/13 by the Berliner Philharmoniker and Emmanuel Pahud under Simon Rattle. Cleveland Orchestra featured Flûte en suite as centrepiece in their 2014 European tour, and dedicated an entire evening to Widmann’s works at the Berliner Philharmonie. His opera Babylon was premiered in 2012/13 at Bayerische Staatsoper under the baton of Kent Nagano.

Am Anfang by Anselm Kiefer and Widmann was premiered in July 2009 as part of the 20th anniversary of the Opéra Bastille, in which Widmann acted as composer, clarinetist and made his debut as conductor.

Widmann was artist in residence at leading festivals and orchestras such as Lucerne Festival and Salzburger Festspiele, Bamberger Symphoniker, Tonhalle-Orchester Zurich’s creative chair 2015:16, and both BOZAR and Elbphilarmonie’s artist in residence in its opening season. He was featured in Artist Portraits at Vienna’s Konzerthaus, Frankfurt’s Alte Oper and Cologne’s Philharmonie. In the 2017:18 season he was featured as the first ever Gewandhaus Composer in Leipzig’s history.

Widmann is Fellow at the Wissenschaftskollegs in Berlin and a full member of the Bayerischen Akademie of Schönen Künste, and since 2007, the Freien Akademie der Künste Hamburg, the Deutschen Akademie der Darstellenden Künste and the Akademie der Wissenschaften und der Literatur Mainz. He is professor for composition at the Barenboim-Said Academy, Berlin.

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