Live Season Finale:
Mahler Three Fri 21 – Sat 22 May

Danish conductor Thomas Søndergård is the Music Director of the Minnesota Orchestra, as well as the Music Director of the Royal Scottish National Orchestra, following six seasons as their Principal Guest Conductor. Between 2012 and 2018, he served as Principal Conductor of BBC National Orchestra of Wales (BBC NOW), after stepping down as Principal Conductor and Musical Advisor of the Norwegian Radio Orchestra.

He has appeared with many notable orchestras in leading European centres, such as Berlin (including Berliner Philharmoniker, Rundfunk-Sinfonieorchester Berlin, Mahler Chamber Orchestra, Konzerthausorchester Berlin), Munich (Symphonieorchester des Bayerischen Rundfunk), Zurich (Tonhalle Orchester Zurich), Leipzig (Gewandhausorchester), Paris (Orchestre National de France), London (London Philharmonic, BBC Symphony, London Symphony and Philharmonia Orchestra), Amsterdam and Rotterdam (Royal Concertgebouw Orchestra, Netherlands Philharmonic, Rotterdam Philharmonic) and is a familiar figure in Scandinavia, with such orchestras as Oslo Philharmonic, Gothenburg Symphony, Danish National Symphony, Royal Stockholm Philharmonic, Swedish Radio Symphony, Finnish Radio Symphony and Helsinki Philharmonic. North American appearances to date have included the symphony orchestras of New York, Chicago, Cleveland, Cincinnati, Baltimore, St Louis, Toronto, Atlanta, Montreal, Vancouver, Houston and Seattle. He has also made highly successful tours to China, Korea, Australia and New Zealand.

With the Minnesota Orchestra in 2025/26, Thomas leads a diverse range of programmes, including the continuation of their Nordic Composers Festival and projects with leading soloists such as Joyce DiDonato, Yo-Yo Ma & Kirill Gerstein. In addition to their Scotland series and recording projects, highlights with the RSNO include leading the closing concert of the 2025 Edinburgh International Festival and extensive tours of Europe & China. Guest conducting for this season will include returns to the Konzerthausorchester Berlin, Philharmonia Orchestra, Danish National Symphony, Finnish Radio Symphony & Oslo Philharmonic, alongside debuting with the Orquestra Sinfònica de Barcelona. Thomas will also sit on the jury of the 2025 London Symphony Orchestra Donatella Flick Conducting Competition.

As part of the 2015 anniversary celebrations of both Sibelius and Nielsen, he conducted a wide variety of their works with many leading orchestras. A passionate supporter of the music of Carl Nielsen, his performances with the Swedish Radio Symphony of his Symphony No. 5 was praised as “equal of the great pioneers of Nielsen interpretation… It’s hard to imagine a finer performance of this remarkable symphony.” (Dagens Nyheter); and in 2019 participated in a special concert to celebrate Nielsen’s works with the Royal Danish Academy of Music Copenhagen.

Following his acclaimed debut for Royal Danish Opera (Kafka’s Trial), he has since returned regularly to conduct a broad repertoire, including Die Walküre, which won the 2022 Reumert Award for Best Opera Production, Elektra, Le nozze di Figaro, Il barbiere di Siviglia, La bohème, Cunning Little Vixen, Il viaggio a Reims; and has also made short concert tours with the Royal Danish Orchestra. He has also enjoyed successful collaborations with Staatsoper Stuttgart, Norwegian Opera and Royal Swedish Opera. His Stockholm productions of Tosca and Turandot (both with Nina Stemme) led to his Bayerische Staatsoper debut, conducting main season and Opera Festival performances of Turandot with her and he most recently returned to for the Opera’s Akademiekonzert series. He made his Deutsche Oper Berlin debut with the world premiere of Scartazzini’s Edward II and has since returned for Berlioz’s Romeo and Juliet and R.Strauss’ Elektra

His discography covers a broad range of contemporary and mainstream repertoire, including Carl Nielsen (The Royal Danish Orchestra, Naxos Records), Poul Ruders (Arhus Symphony, Norwegian Radio, Royal Danish Opera (Kafka’s Trial) for Da Capo and Bridge Records); Sibelius symphonies and tone poems with BBC NOW and Prokofiev and Richard Strauss with RSNO for Linn Records; Lutoslawski and Dutilleux concertos with ‘cellist Johannes Moser and Rundfunk Sinfonieorchester Berlin (Pentatone); and Vilde Frang’s celebrated debut recording (WDR Koln for EMI).

In October 2023, Thomas was a recipient of the Carl Nielsen and Anne-Marie Carl Nielsen’s Foundation award for his outstanding contribution to Danish musical life. In January 2022, Thomas was decorated with a prestigious Royal Order of Chivalry – the Order of Dannebrog (Ridder af Dannebrogordenen) by Her Majesty Margrethe II, Queen of Denmark.

Lauded by The Guardian for her “dark and focused” voice, “sensational coloratura” and “spectacular singing” and by The Times for her “fierce, indeed terrifying, cane-swishing” characterisations, Beth Taylor is one of today’s most electrifying young mezzo-sopranos. 

In the 2025/26 season, she is set to make a number of notable debuts and returns. She will make her Carnegie Hall debut in May 2025 with the English Concert and Harry Bicket, performing her acclaimed interpretation of Cornelia in Handel’s Giulio Cesare on tour across the US and UK. She will also make her debut with the LA Philharmonic in Mahler’s 2nd Symphony tour in LA, Tokyo, Seoul, Taipei and Tainan, conducted by Gustavo Dudamel.  

She returns to the BBC Proms as the soloist in Mahler’s 3rd Symphony with the BBC National Orchestra of Wales/ Ryan Bancroft. Other upcoming performances include Elgar’s Sea Pictures with Orchestre Symphonique de Montréal/Rafael Payare,, Karl Jenkins’ The Armed Man and Elgar’s The Dream of Gerontius with the Müncher Philharmoniker. With the Berlin Philharmonic/K.Petrenko, she will perform Beethoven’s 9th Symphony and Mahler’s 8th Symphony and with Bach’s B minor Mass with Raphaël Pichon. With Sir Simon Rattle, she performs Mahler’s 2nd Symphony with the Bayerisches Runfunksorchester,  

Upcoming performances in the UK include Tippett’s A Child of our Time with the BBC Scottish Symphony Orchestra/Ryan Wigglesworth and Elgar’s Sea Pictures with the London Philharmonic Orchestra/Edward Gardner. Her recent performances as the Angel in Dream of  Gerontius with the BBC SSO were remarked on by the Times as “immensely powerful, with melting quality and electrifying musicality…a natural successor to Janet Baker” and “her farewell providing one of  those moments of transcendence that even the greatest art produces only rarely”.  

Over the last several years, the mezzo has made a number of important debuts. In summer 2022, Beth made her acclaimed debut at the Glyndebourne Festival as Bradamante in a new production of Alcina and as Cornelia in the well-loved revival of Giulio Cesare. Following her Deutsche Oper Berlin debut as La Cieca in La Gioconda, she returned to this theatre to make her role debuts as Arsace in in a new production of Rossini’s Semiramide, as Erda in Das Rheingold, Erste Norn in Götterdämmerung and Schwertleite in Die Walküre in Stefan Herheim’s new Ring cycle under the musical direction of Sir Donald Runnicles. Her recent debut in the title role of Cenerentola with the Opéra de Lorraine received huge accolades for her “bold, unique and polished interpretation of an otherwise not immediately obvious role for her voice-type” and “radiant coloratura”. 

On disc, she can be heard in the Mozart’s Requiem and J.S. Bach’s Mass in B Minor with Ensemble Pygmalion and Raphaël Pichon on Harmonia Mundi International label. She will also feature with the same label as soloist with Les Arts Florissants and William Christie with Haydn’s Harmoniemesse On Warner/Erato label, she features in Purcell’s Dido and Aeneas (Sorceress) and Handel’s Giulio Cesare (Cornelia) with Il Pomo d’Oro, conducted by Maxim Emelyanychev and Francesco Corti respectively. Her debut recital album “The Deeps have Music” with friend and collaborative pianist Hamish  Brown will be released on Linn Records in early 2026. 

She is a grand finalist of the 2023 BBC Cardiff Singer of the World competition, the winner of the 2022 Elizabeth Connell Award, 3rd prize winner of the 2019 Wigmore Hall Competition and the winner of the 2018 Gianni Bergamo Classical Music Awards. She was shortlised for the “Newcomer” award at the International Opera Awards 2023. 

See Beth Taylor perform throughout the 2026:27 Season with the RSNO.

Stephen Doughty has been Chorus Director of the RSNO Chorus since the start of the 2022:23 Season. Since his arrival the Chorus has seen an influx of new members, and an abundance of varied and critically acclaimed performances, including Verdi’s Requiem, Britten’s War Requiem, Bruckner’s E Minor Mass and the Scottish premiere of Sir James MacMillan’s Christmas Oratorio. He has also directed the Chorus in new and imaginative programmes in their own right, including Rheinberger’s glorious Mass in E flat for double choir, and concerts with percussion and organ featuring Bernstein’s Chichester Psalms, the European premiere of McIntyre’s Missa Brevis and Ives’ final major choral work, Psalm 90.  Stephen’s previous 12-year tenure as Chorus Master of Belfast Philharmonic Choir included a number of world premieres, most significantly James Whitbourn’s The Seven Heavens and Philip Hammond’s Requiem for the Lost Souls of the Titanic, performed exactly 100 years since the liner went down, and further European premieres of both Stuart Scott’s Requiem Brevis, which saw the 100-strong choir separated into eight choirs spaced around the audience, and Christopher Marshall’s Earthsong.

Stephen particularly enjoys working with amateur singers, not least leading regular singing days frequently involving up to 800 amateur singers. He was Musical Director of Edinburgh Bach Choir for 7 years and has enjoyed the directing the Garleton Singers for over 30 years, performing with them recently at the Lammermuir Festival.

Stephen plays harpsichord/organ continuo and orchestral piano and has given frequent organ recitals, including several on the grand Mulholland Organ in the Ulster Hall, Belfast. He is also in demand as an arranger and orchestrator, with a large portfolio of work particularly for young voices. He has produced a plethora of arrangements of the music of pianist Christopher Norton, including two publications of piano duets and a suite for wind sextet, and has received commissions from Children’s Classic Concerts, the Ulster Orchestra and the RSNO. Commissions from the BBC have seen his work being performed on BBC Alba and at the Last Night of the Proms, and his pieces feature on several recordings, including with the RSNO Chorus.

Finally, Stephen is an Examiner for the Associated Board of the Royal Schools of Music.

Founded in 1978 by Jean Kidd, the RSNO Youth Chorus (formerly known as the RSNO Junior Chorus) is one of the leading children and youth choirs in the UK, with over 400 members aged seven to eighteen. It has built up a considerable reputation singing under some of the world’s most distinguished conductors and appearing on radio and television.

Patrick Barrett is a conductor specialising in choral music and opera. He is currently Chorus Director of the RSNO Youth Choruses, Royal Opera House Youth Opera Company, Irish Youth Training Choir and the award-winning Farnham Youth Choirs.

Recent work has included conducting the RSNO Youth Chorus alongside soloists Sheku Kanneh-Mason, Benjamin Grosvenor and Nicola Benedetti in the Royal Scottish National Orchestra’s All-Star Gala performances, and preparing them for the recording of Jonathan Dove’s Gaspard’s Christmas, which is available on all streaming services. Over the summer, he led FYC to success at the Hull International Choral Competition and the International Choir Competition in Provence, winning the Youth Choirs of Equal Voices and Children’s Choir categories respectively, and will be competing with them in the World Choir Games 2024 in New Zealand. In the past year, he has also premiered a number of new works including Jonathan Brigg’s The Sapling with the ROH Youth Opera Company and pieces by Emma O’Halloran and DJ and producer R.Kitt with IYTC. This summer, he took up the position of Guest Conductor with the National Youth Choir of Great Britain’s Girls’ Choir and has been invited back for 2024.

Much of Patrick’s work revolves around championing young people within choral music and, for the past two years, he has been invited to address the annual conference of the Post Primary Music Teachers Association in Ireland. His work in this area began as a Trainee Music Leader with Spitalfields Music between 2015-16 and he is now firmly established as a music educator, having delivered projects for organisations including the BBC Singers, Sonoro, The Sixteen, Wigmore Hall, Aldeburgh Young Musicians, and Ark Schools.

In opera, Patrick works with many of the UK’s major companies including the Royal Opera House, English National Opera and Garsington Opera. For the ROH, he is the Musical Director of the Youth Opera Company, preparing them for main stage performances of Verdi’s Otello under Sir Antonio Pappano and Humperdinck’s Hansel and Gretel under Sebastian Weigle, and conducting them in the world premieres of specially commissioned works including Lewis Murphy’s A Different Story in the Linbury Theatre. He is also a regular leader on their Create and Sing programme, working with secondary school teachers to stage specially-devised operas in classrooms across the country. For the ENO, he has prepared the children’s chorus for Janáček’s The Cunning Little Vixen under Martyn Brabbins and Bizet’s Carmen under Kerem Hasan. For Garsington Opera, he has worked on a specially-commissioned community opera called Dalia by Roxanna Panufnik as the Youth Chorus Director.

Patrick was previously the conductor of the University of Birmingham’s Upper Voices Choir and Brockham Choral Society.

Born in Huddersfield in 1964, Paul Whittaker has been profoundly deaf all his life yet pursued a career as a musician. A pianist and organist, he has a music degree from Wadham College, Oxford, a postgraduate performance diploma from the Royal Northern College of Music and holds ALCM and ARCO diplomas.

In 1988, he founded Music and the Deaf, a charity to help deaf people enjoy music, which he ran for 27 years. In 2007, he was awarded an OBE for Services to Music and he also holds honorary degrees from the University of Huddersfield and Open University.

For the past 13 years, Paul has been working with the Mahler Chamber Orchestra on their Feel the Music project, visiting many different countries around the world introducing deaf children to orchestral music. In 2023, he was invited to work with the Rundfunk Sinfonieorchester Berlin on a project involving deaf children and adults and in 2024 will work with an ensemble in Malmo on a similar project.

Since May 2015 he has been working freelance as a motivational speaker, signed song performer and workshop leader, and currently runs several signing choirs across the UK.

Paul has signed many musical shows and concerts, and performed with The King’s Singers, Tenebrae, Dunedin Consort, VOCES8, the Royal Liverpool, Royal Philharmonic, Scottish Chamber, Royal Northern Sinfonia and Halle orchestras, with Children’s Classic Concerts and at many festivals, including the Cumnock Tryst and BBC Proms. He is delighted to be returning to the RSNO after joining them last November for James MacMillan’s Christmas Oratorio.

See Paul Whittaker perform Ode to Joy on 12 and 13 June 2026.