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Beethoven Coriolan Overture
Mozart Flute and Harp Concerto K299

Sharon Roffman Leader/Director
Katherine Bryan Flute
Pippa Tunnell Harp



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Sharon Roffman

Sharon Roffman Leader/Director

Violinist Sharon Roffman, prizewinner in the 2003 Naumburg Foundation International Competition, made her solo debut with the New Jersey Symphony in 1996. Since then, Ms. Roffman has forged a unique career distinguished by her versatility; she is equally sought after as a soloist, chamber musician, orchestral leader and music educator.

In February 2018, Ms. Roffman was appointed leader of the Royal Scottish National Orchestra. Ms. Roffman made her Carnegie Hall debut as a soloist in Vivaldi’s Concerto for Four Violins with Itzhak Perlman playing and conducting in 2004; she has performed all over the world as a guest concertmaster of the London Symphony Orchestra, Scottish Chamber Orchestra, Swedish Radio Symphony, the BBC Philharmonic, Orchestre Philharmonique de Radio France, City of Birmingham Symphony Orchestra, Orchestre d’Auvergne, Orchestre Symphonique de Bretagne, and Orpheus Chamber Orchestra, principal 2nd of Die Deutsche Kammerphilharmonie Bremen and the Estonian Festival Orchestra, and as a frequent guest member of the Australian Chamber Orchestra and Mahler Chamber Orchestra.

Ms. Roffman was “Violon Solo” of Orchestre National du Capitole de Toulouse from 2016-17 and a member of Orchestre National de France from 2009-2011. As a chamber musician, Ms. Roffman has collaborated with members of the Guarneri quartet, Juilliard Quartet, Brentano Quartet, Shanghai Quartet, Avalon Quartet, and Miami Quartet among others, was a member of the critically acclaimed contemporary music ensemble counter)induction, and spent several summers performing at the Marlboro Music Festival.

Passionate about combining performance and education, Ms. Roffman is the founder and artistic director of ClassNotes, a chamber music ensemble and non-profit organization dedicated to introducing public school students to classical music through interdisciplinary school residencies and performances. In 2015, Ms. Roffman premiered a new concerto by Bruce Adolphe (I Will Not Remain Silent) with the IRIS Orchestra and Michael Stern conducting, and created The Prinz Project – an online interdisciplinary curriculum and outreach initiative to accompany the concerto. In 2018, Ms. Roffman performed Bernstein’s Serenade with the Kansas City Symphony and created an accompanying website for audiences to explore the work in more detail. Ms. Roffman also created an online elementary school curriculum about the relationship between music and art for the Australian Chamber Orchestra and regularly teaches in elementary schools across Australia both live and via video conferencing.

Ms. Roffman is a graduate of the Juilliard School and the Cleveland Institute of Music; her former teachers include Itzhak Perlman, Donald Weilerstein, Peter Winograd, Robert Lipsett, Patinka Kopec and Nicole DiCecco.

Katherine  Bryan

Katherine Bryan Flute

Katherine Bryan made her concerto debut at the age of 15 with Daniel Harding and the Academy of St Martin in the Fields in London, and later made her US concerto debut at New York’s Lincoln Center with the Juilliard Orchestra. She has since performed as soloist with the BBC Philharmonic, Helsinki Philharmonic Orchestra, Royal Scottish National Orchestra, Hallé, Nuremberg Symphony Orchestra, New York Philharmonic and English Baroque Soloists.

Katherine's debut solo recording of the Nielsen and Liebermann flute concertos, Poulenc Flute Sonata (orchestrated by Sir Lennox Berkeley) and Hüe Fantasie, with the Royal Scottish National Orchestra conducted by Paul Daniel, was released to great acclaim in September 2010. Following this success, Katherine released a further disc of concertos in May 2013, including works by Ibert, Martin and Rouse. Katherine's recording of the Rouse Flute Concerto is the work’s first ever British recording. Her latest album, Silver Bow, described by the Scotsman as ‘a breathtaking package’, is a collection of transcriptions of music for violin and orchestra including Vaughan Williams’ The Lark Ascending, and was released in September 2015. It was chosen as one of Classic FM's top 20 albums of 2015.

A winner of the prestigious Audi Music Competition, Katherine studied at Chetham’s School of Music, Manchester, and won a full scholarship to study flute at the Juilliard School, New York, with Jeanne Baxtresser and Carol Wincenc. She was a prizewinner in the Royal Overseas League Music Competition, and in the Young Concert Artists International Competition in New York, and she was a finalist in the BBC Young Musician of the Year for three consecutive competitions. She was awarded the Julius Isserlis Scholarship by the Royal Philharmonic Society.

At the age of just 21 she was appointed Principal Flute with the Royal Scottish National Orchestra, a position she still holds today in addition to appearing as concerto soloist with leading orchestras worldwide. Katherine is currently a lecturer in flute at the Royal Conservatoire of Scotland and Chetham’s School of Music. She is a regular guest principal with the Philharmonia Orchestra, and has also played guest principal with the London Philharmonic, BBC Symphony, BBC Scotttish Symphony, Royal Philharmonic, Swedish Radio Symphony and London Symphony Orchestras, as well as with the Royal Northern Sinfonia, Hallé and Seattle Symphony.

Katherine has appeared at major international festivals, including the Cheltenham Music Festival, as both concerto soloist and recitalist. She has given live broadcasts on Classic FM, BBC Radio 3 and BBC television. Forthcoming projects include a new solo album for Chandos Records.

Pippa  Tunnell

Pippa Tunnell Harp

Pippa has been playing as Principal Harp with the Royal Scottish National Orchestra since 1999, and appears regularly with the Scottish Chamber Orchestra and the BBC Scottish Symphony Orchestra. She is Harp Lecturer at the Royal Conservatoire of Scotland. Brought up and educated in Edinburgh, Pippa became a member of the National Youth Orchestra of Great Britain before winning a scholarship to the Royal Northern College of Music to study with Frank Sternefeld. There she won the Hiles Medal and, following her graduation with honours, she won several awards enabling her to take up a place at the Konservatorium in Basel, Switzerland, to study with Ursula Holliger. On her return to the U.K. Pippa built up a successful freelance career, performing as a soloist as well as a chamber and orchestral musician, playing regularly with the Halle Orchestra, the Royal Liverpool Philharmonic Orchestra, Northern Ballet Theatre, and many other major British ensembles. Her recent appearances include concerto performances with the RSNO, and chamber recitals with the Hebrides and Red Note Ensembles, and her flautist Katherine Bryan. Recordings include Britten and Rutter as soloist alongside the RSNO Junior Chorus, and numerous works with the RSNO and BBCSSO. Pippa now lives in Glasgow.